You’re invited to a Hip Hip Hooray Giveaway Party!

giveaway party-sidebarPut on your party duds, it’s time to celebrate!

I’m so excited to announce that I’m a part of Kelly Rae Roberts’ incredible line up of sponsors for her highly anticipated Hip Hip Hooray Giveaway Party. She hosts this party once a month, and Thursday, 5/23/13, is the day when I join her as one of her “Party Queens.”

Hop on over to her blog on Thursday and a leave a comment to enter for the chance to win a ton of amazing party favors from her generous sponsors.  I’m giving away something really special (I can’t tell you yet–you’ve got to wait and see!) and there are lots of other giveaways being offered as well. Woohoo!

I love a good party and I’m thrilled to be a part of this one. See you there!

Moving Away Versus Moving Toward Is A Critical Distinction for Making a Change

orange-more-loveLast week, I did something really difficult: I announced to the GTD Virtual Study Group that I was stepping down as host and facilitator of the podcast. After nearly seven years, I am walking away. The decision to leave this role behind was a very, very hard one and I wrestled with it for months. If you were to read the pages of my journal, you’d see the back and forth: Give it up! No, keep it!

As a coach, when I’m working with someone who wants to leave something behind, I often point out the distinction between moving away from something versus moving toward something else. I’d like to explore that distinction now, to take you inside how I made the decision to walk away from a very successful and highly visible role, one that put me in front of a huge audience, and allowed me to earn accolades like “one of the most influential people in productivity.” Why would I, or anyone, do such a thing?

First, there was GTD itself. The longer I went on, the more lifeless and stiff the approach felt to me. I found myself feeling angry at the “dogma” that valued control so highly, that emphasized constant capture, endless processing, and obsessive organizing. I longed to bring spiritual, soulful, compassionate dimensions to the table but I found that when I turned the conversation to topics other than strictly GTD, I got complaints. So while I was successful in being authentic and vulnerable in that public space, I was stuck holding back and compartmentalizing a huge part of myself, biting my tongue and keeping my thoughts to myself.

As time went on, it got harder and harder for me to think of topics that I wanted to talk about. I told myself that I was burned out. But then several small events came together all at once to help me to see things differently and to show me what I want to move toward rather than what I want to move away from.

1.) I combined my office with my art studio. Suddenly, two sides of my being that had been walled off from each other were co-habitating. There is no boundary between the creative, artistic, unconventional me and the productive, methodical, systematic me.

2.) I decided to remodel my website and, after a pivotal conversation with two incredibly successful entrepreneurs, I chose to narrow my niche. The look and feel of my brand now includes aspects of me that I’d been aching to let out: artistic, feminine, fun.

3.) I told a fellow productivity guru that I was a mosaic artist and he responded, “Oh. [insert long, painful silence] Interesting.” Suddenly, a fuzzy image resolved into a clear picture. Even though I really, seriously, wanted to cuss him out, I was so happy. That’s why I don’t “get” this guy! It’s not me! It’s not him! It was the piece of the puzzle that had been missing. And it made the next step very obvious.

To be available to an audience who will embrace Soul-Full Productivity, I have to get out of the shadow of GTD.

I want to put Soul-Full Productivity center stage and talk about it all the time, with whoever will engage with me. I want spiritual, compassionate, vulnerable authenticity to be THE topic, not a side dish. I want my productivity conversation to be artistic and creative and right-brained along with the techy, left-brained, systematic. And I want to talk to people who, when I say “I’m an artist,” respond: “Cool! Tell me more!”

I made my decision public last week, on the live call. It was an emotional, vulnerable, amazing conversation. You can hear it here.

Making Bad Art is Surprisingly Difficult

You’d think it would be dead easy to make bad art. After all, making great art is what’s supposed to be hard, right? To create something of lasting beauty requires talent, skill, and all sorts of other mysterious intangibles that true artists possess. On the other hand, the rest of us mere mortals would seem to be naturals at making not-great art. In fact, we–that is, non-professional artist types like me–should have no trouble at all creating bad art. But it doesn’t work that way.

I’m finding that it takes a considerable amount of courage to risk being bad at something. I believe that for me to create good art, I have to practice and be willing to be bad at it, at least at first. But I’m afraid of being bad at it. Being an awkward beginner, I’m sure I’ll make mistakes that will cause my piece of art to look like it was created by a beginner. I don’t want my art to look like a beginner’s! And I am particularly afraid that my work will look cheesy. Yes, I have a real phobia of creating cheesy art. My solution to this is to get lost in constant preparation mode. If I am forever working up to starting, then I don’t have to begin and therefore, I will not create any bad art. Sadly, however, staying in that just-before-starting stage means I will create no art whatsoever.

This morning, I started re-reading Steven Pressfield’s Turning Pro: Tap Your Inner Power and Create Your Life’s Work. (If you’ve been stuck creatively, and haven’t read it, you should get a copy today and read it immediately.) Pressfield compares being stuck with addiction and says, “All addictions share, among others, two primary qualities. 1. They embody repetition without progress. 2. They produce incapacity as a payoff.” That’s exactly the problem with my reluctance to make bad art. I forever repeat the process of getting ready without actually starting and I am never growing as an artist.

I created this mosaic using tiles made the incredible Laurie Mika.

I created this mosaic using tiles made by an incredible mosaicist, Laurie Mika.

Of course, this kind of fear–the fear of making bad art–has huge implications for doing more of what you love. If you find yourself longing to do those things that you love but afraid to try, it’s impossible to do more of what you love! ACK. The ironic part is that when I do summon the courage to make art, it’s often not bad. It’s the fear of making bad art that’s the problem, not the art itself.

So this is my declaration: I am willing to make bad art. I am willing to be uncomfortable and to feel awkward and unsure. I am willing to be a beginner so that someday, I can progress to being intermediate and maybe even acquire some expertise. I am willing to stop preparing and actually begin, and after beginning, actually complete a work so I can begin another. That’s my promise. To me. To you. To creativity itself.

What about you? Do you experience something similar–have you overcome it yet? I’d love to hear your thoughts and stories. Drop them in the comments section.